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[古典] 查尔斯·明格斯 Charles Mingus - Mingus Mingus Mingus Mingus Mingus

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发表于 2020-10-8 08:00:53 | 显示全部楼层 |阅读模式
Charles Mingus - Mingus Mingus Mingus Mingus Mingus

查尔斯·明格斯

是20世纪美国爵士乐的标杆人物,他不仅是一个技艺精湛的贝斯大师、钢琴手,还是突破古典与爵士界限的出色作曲家,他的音乐对于后世而言有着至关重要的启迪作用。


Charles Mingus 在1995年发行专辑






           

Charles Mingus - [Mingus Mingus Mingus Mingus Mingus #01] II B.S.

Charles Mingus - [Mingus Mingus Mingus Mingus Mingus #02] I X Love

Charles Mingus - [Mingus Mingus Mingus Mingus Mingus #03] Celia

Charles Mingus - [Mingus Mingus Mingus Mingus Mingus #04] Mood Indigo

Charles Mingus - [Mingus Mingus Mingus Mingus Mingus #05] Better Get Hit in Yo' Soul

Charles Mingus - [Mingus Mingus Mingus Mingus Mingus #06] Theme for Lester Young

Charles Mingus - [Mingus Mingus Mingus Mingus Mingus #07] Hora Decubitus


Having completed what he (and many critics) regarded as his masterwork in The Black Saint and the Sinner Lady, Charles Mingus' next sessions for Impulse found him looking back over a long and fruitful career. Mingus, Mingus, Mingus, Mingus, Mingus is sort of a "greatest hits revisited" record, as the bassist revamps or tinkers with some of his best-known works. The titles are altered as well -- "II B.S." is basically "Haitian Fight Song" (this is the version used in the late-'90s car commercial); "Theme for Lester Young" is "Goodbye Pork Pie Hat"; "Better Get Hit in Your Soul" adds a new ending, but just one letter to the title; "Hora Decubitus" is a growling overhaul of "E's Flat Ah's Flat Too"; and "I X Love" modifies "Nouroog," which was part of "Open Letter to Duke." There's also a cover of Duke Ellington's "Mood Indigo," leaving just one new composition, "Celia." Which naturally leads to the question: With the ostensible shortage of ideas, what exactly makes this a significant Mingus effort? The answer is that the 11-piece bands assembled here (slightly different for the two separate recording sessions) are among Mingus' finest, featuring some of the key personnel (Eric Dolphy, pianist Jaki Byard) that would make up the legendary quintet/sextet with which Mingus toured Europe in 1964. And they simply burn, blasting through versions that equal and often surpass the originals -- which is, of course, no small feat. This was Mingus' last major statement for quite some time, and aside from a solo piano album and a series of live recordings from the 1964 tour, also his last album until 1970. It closes out the most productive and significant chapter of his career, and one of the most fertile, inventive hot streaks of any composer in jazz history.


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新手上路

发表于 2020-10-15 08:31:46 | 显示全部楼层
试听非常好,感谢分享! 不过这音乐自然应该归类于爵士

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发表于 2020-10-29 19:27:57 | 显示全部楼层
无回帖,不论坛,这才是人道。
懒得打字嘛,点击右侧快捷回复 用心回复,共创和谐网络
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